Português
1982, lives and works at Brussels, Belgium.
Her research draws largely on her daily practice in the studio. There she handles and freely associates materials that are not typical of sculpture, creating compositions of varying formats and scales. In a constant search for a possible and consensual balance between her selected elements, the artist often develops specific methods to combine, juxtapose and merge materials without ever forcing them to a definitive interaction. Experimenting with the texture, weight and balance of her materials, Bosquê creates extremely delicate visual landscapes that explore the transience of matter and impermanence. Her works remind us of the fragility of the agreements that hold together everything we consider permanent or definitive.
Her most recent solo exhibitions include In the Hot Sun of a Christmas Day, Mendes Wood DM, NY (2019), O Oco e a Emenda, Pavilhão Branco, Museu da Cidade, Lisbon (2017); Field, Mendes Wood DM, São Paulo (2016); O Incômodo, Pivô, São Paulo (2015). Additionally, her work has been included in institutional group exhibitions as the Brasile. Il Coltello Nella Carne, Pac – Padiglione d’Arte Contemporanea, Milan (2018); Bienal de Coimbra, Coimbra (2017); Mycorial Theatre, Pivô, São Paulo (2016); Projeto Piauí, Pivô, São Paulo (2016); Roberto Burle Marx: Brazilian Modernist, The Jewish Museum, New York (2016); United States of Latin America, Museum of Contemporary Art Detroit, Detroit (2015).
