lives and works at Sao Paulo, Brazil.

He is an independent curator, researcher and professor, PhD student at the Center for Contemporary Culture Studies (ECCO – UFMT) and master in clinical psychology at the Center for subjectivity studies (PUC – SP). He develops programs linked to contemporary artistic practices, curatorial dialogues and collective learning processes, offering research support and artistic accompaniment for projects, institutions, groups and artists. He currently dedicates his research to artistic experiments and modes of creation based on Liberation, freedoms and cognitive justice from the field of visual arts. Among his most recent movements are the artistic-educational actions in the zofir Brasil collection (Rio de Contas-BA, 2015 to 2017), the Coordination of the artistic residency program “see the invisible, say the unspeakable” at the Valongo international image Festival (2018) and the temporary teaching (2019 – 2020) at the Center for Arts, Humanities and letters of the Federal University of Recôncavo da Bahia (UFRB), territory in which he develops the training program for disobedient artists practices and coordinates the elixir fund; in partnership with the Africa in the Arts Project. Between 2021 and 2022 coordinated and signed the curatorship of projects such as holes, craters and hugs (Individual Ana Almeida, Quadra and Central Gallery), crowns (individual Uiler Costa-Santos, Bahia Art Museum), possible arguments (collective exhibition curated by Thiago de Paula-HOA Gallery and Mendes Wood Brussels), cement and water (solo exhibition Lais Amaral, M+B Los Angeles) and Sidney Amaral: a mirror in history (curated by Luciara Ribeiro, HOA and Almeida & Dale Gallery). Between 2022 and 2023 he was assistant curator of the 35th São Paulo Biennial – Coreografias do Imposível curated by Diane Lima, Hélio Menezes, Manuel Borja-Villel and Grada Kilomba.